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The first hope sank behind.
THE DAY WITH A WHITE MARK
All day I have been tossed and whirled in a preposterous happiness:
Was it an elf in the blood? or a bird in the brain? or even part
Of the cloudily crested, fifty-league-long, loud uplifted wave
Of a journeying angel’s transit roaring over and through my heart?
My garden’s spoiled, my holidays are cancelled, the omens harden;
The plann’d and unplann’d miseries deepen; the knots draw tight.
Reason kept telling me all day my mood was out of season.
It was, too. In the dark ahead the breakers only are white.
Yet I—I could have kissed the very scullery taps. The colour of
My day was like a peacock’s chest. In at each sense there stole
Ripplings and dewy sprinkles of delight that with them drew
Fine threads of memory through the vibrant thickness of the soul.
As though there were transparent earths and luminous trees should grow there,
And shining roots worked visibly far down below one’s feet,
So everything, the tick of the clock, the cock crowing in the yard
Probing my soil, woke diverse buried hearts of mine to beat,
Recalling either adolescent heights and the inaccessible
Longings and ice-sharp joys that shook my body and turned me pale,
Or humbler pleasures, chuckling as it were in the ear, mumbling
Of glee, as kindly animals talk in a children’s tale.
Who knows if ever it will come again, now the day closes?
No-one can give me, or take away, that key. All depends
On the elf, the bird, or the angel. I doubt if the angel himself
Is free to choose when sudden heaven in man begins or ends.
DONKEYS’ DELIGHT
Ten mortal months I courted
A girl with bright hair,
Unswerving in my service
As the old lovers were.
Almost she had learned to call me
Her dear love. But then,
One moment changed the omens,
She was cold again.
For carelessly, unfairly,
With one glance of his eyes,
A gay, light-hearted sailor
Bore away the prize,
Unbought, which I had sought with
Many gifts and sighs.
In stern disdain I turned to
The Muses’ service then,
To seek how the unspeakable
Could be fixed by a pen,
Not to flinch though the ink that
I must use, they said,
Was my dearest blood, nearest
My heart, the richest red.
I obeyed them, I made them
Many a costly lay,
Till carelessly, unfairly,
A boy passed that way
Who set ringing with his singing
All the fields and lanes;
They gave him their favour,
Lost were all my pains.
Then I passed to a Master
Who is higher in repute,
Trusting to find justice
At the world’s root.
With rigid fast and vigil,
Silence, and shirt of hair,
The narrow way to Paradise
I walked with care.
But carelessly, unfairly,
At the eleventh hour there came,
Reckless and feckless,
Without a single claim,
A dare-devil, a ne’er-do-well
Who smelled of shag and gin;
Before me (and far warmer
Was his welcome) he went in.
I stood still in the chill
Of the Great Morning,
Aghast. Then at last
—Oh, I was late learning—
I repented, I entered
Into the excellent joke,
The absurdity. My burden
Rolled off as I broke
Into laughter; and soon after
I had found my own level;
With Balaam’s Ass daily
Out at grass I revel,
Now playing, now braying
Over the meadows of light,
Our soaring, creaking Gloria,
Our donkeys’ delight.
THE SMALL MAN ORDERS HIS WEDDING
With tambourines of amber, queens
In rose and lily garlanded
Shall go beside my noble bride
With dance and din and harmony,
And sabre clash and tabor crash
And lantern-light and torches flash
On shield and helmet, plume and sash,
The flower of all my armoury;
Till drawn at length by tawny strength
Of lions, lo! her chariot;
Their pride will brook no bridle—look,
No bit they bear, no farrier
Ere shod those feet that plod the street
Silent as ghosts; their savage heat
Is gentled as they draw my sweet,
New tamed herself, to marry me.
New swell from all the belfries tall,
Till towers reel, the revelry
Of iron tongue untiring swung
To booms and clangs of merriment!
While some prepare with trumpet blare
Before my gates to greet us there
When home we come; and everywhere
Let drum be rumbled steadily.
Once in, the roar and din no more
Are heard. The hot festivity
And blazing dies; from gazing eyes
These shadowy halls deliver her.
Yet neither flute nor blither lute
With pluck of amorous string be mute
Where happy maids their queen salute
And candle flames are quivering.
With decent stealth o’er fleecy wealth
Of carpets tripping soberly,
Depart each maid! Your part is played
And I to all her nobleness
Must mate my bare estate. How fair
The whole room has become! The air
Burns as with incense everywhere
Around, beneath, and over her.
What flame before our chamber door
Shines in on love’s security?
Fiercer than day, its piercing ray
Pours round us unendurably.
It’s Aphrodite’s saffron light,
And Jove’s monarchal presence bright
And Genius burning through the night
The torch of man’s futurity.
For her the swords of furthest lords
Have flashed in fields ethereal;
The dynasts seven incline from heaven
With glad regard and serious,
And ponder there beyond our air
The infinite unborn, and care
For history, while the mortal pair
Lie drowned in dreaming weariness.
THE COUNTRY OF THE BLIND
Hard light bathed them—a whole nation of eyeless men,
Dark bipeds not aware how they were maimed. A long
Process, clearly, a slow curse,
Drained through centuries, left them thus.
At some transitional stage, then, a luckless few,
No doubt, must have had eyes after the up-to-date,
Normal type had achieved snug
Darkness, safe from the guns of heav’n;
Whose blind mouths would abuse words that belonged to their
Great-grandsires, unabashed, talking of light in some
Eunuch’d, etiolated,
Fungoid sense, as a symbol of
Abstract thoughts. If a man, one that had eyes, a poor
Misfit, spoke of the grey dawn or the stars or green-
Sloped sea waves, or admired how
Warm tints change in a lady’s cheek,
N
one complained he had used words from an alien tongue,
None question’d. It was worse. All would agree. ‘Of course,’
Came their answer. ‘We’ve all felt
Just like that.’ They were wrong. And he
Knew too much to be clear, could not explain. The words—
Sold, raped, flung to the dogs—now could avail no more;
Hence silence. But the mouldwarps,
With glib confidence, easily
Showed how tricks of the phrase, sheer metaphors could set
Fools concocting a myth, taking the words for things.
Do you think this a far-fetched
Picture? Go then about among
Men now famous; attempt speech on the truths that once,
Opaque, carved in divine forms, irremovable,
Dread but dear as a mountain-
Mass, stood plain to the inward eye.
ON BEING HUMAN
Angelic minds, they say, by simple intelligence
Behold the Forms of nature. They discern
Unerringly the Archtypes, all the verities
Which mortals lack or indirectly learn.
Transparent in primordial truth, unvarying,
Pure Earthness and right Stonehood from their clear,
High eminence are seen; unveiled, the seminal
Huge Principles appear.
The Tree-ness of the tree they know—the meaning of
Arboreal life, how from earth’s salty lap
The solar beam uplifts it, all the holiness
Enacted by leaves’ fall and rising sap;
But never an angel knows the knife-edged severance
Of sun from shadow where the trees begin,
The blessed cool at every pore caressing us
—An angel has no skin.
They see the Form of Air; but mortals breathing it
Drink the whole summer down into the breast.
The lavish pinks, the field new-mown, the ravishing
Sea-smells, the wood-fire smoke that whispers Rest.
The tremor on the rippled pool of memory
That from each smell in widening circles goes,
The pleasure and the pang—can angels measure it?
An angel has no nose.
The nourishing of life, and how it flourishes
On death, and why, they utterly know; but not
The hill-born, earthy spring, the dark cold bilberries
The ripe peach from the southern wall still hot,
Full-bellied tankards foamy-topped, the delicate
Half-lyric lamb, a new loaf’s billowy curves,
Nor porridge, nor the tingling taste of oranges—
An angel has no nerves.
Far richer they! I know the senses’ witchery
Guards us, like air, from heavens too big to see;
Imminent death to man that barb’d sublimity
And dazzling edge of beauty unsheathed would be.
Yet here, within this tiny, charm’d interior,
This parlour of the brain, their Maker shares
With living men some secrets in a privacy
Forever ours, not theirs.
THE ECSTASY
Long had we crept in cryptic
Delights and doubts on tiptoes,
The air growing purer, clearer
Continually; and nearer
We went on to the centre of
The garden, hand in hand, finger on lip.
On right and left uplifted
The fountains rose with swifter
And steadier urgence, argent
On steely pillars, larger
Each moment, spreading foamy plumes
Thinner and broader under the blinding sun.
The air grows warmer; firmer
The silence grips it; murmur
Of insect buzz nor business
Of squirrel or bird there is not—
Only the fluttering of the butterflies
Above the empty lawns, dance without noise.
So on we fared and forded
A brook with lilies bordered,
So cold it wrung with anguish
Bitterly our hearts. But language
Cannot at all make manifest
The quiet centre we found on the other side.
Never such seal of silence
Did ice on streams or twilight
On birds impose. The pauses
In nature by her laws are
Imperfect; under the surface beats
A sound too constant to be ever observed.
From birth its stroke with equal
Dull rhythm, relentless sequence,
Taps on, unfelt, unaltered,
With beat that never falters—
Now known, like breathing, only when
It stopped. The permanent background failed our ear.
Said the voice of the garden, heard in
Our hearts, ‘That was the burden
Of Time, his sombre drum-beat.
Here—oh hard to come by!—
True stillness dwells and will not change,
Never has changed, never begins nor ends.’
Who would not stay there, blither
Than memory knows? but either
Whisper of pride essayed us
Or meddling thought betrayed us,
Then shuddering doubt—oh suddenly
We were outside, back in the wavering world.
THE SABOTEUSE
Pity hides in the wood,
The years and tides,
The earth, the bare moon,
Death and birth,
The freezing skies, the sun
And the populous seas
Against her, one and all,
Are furiously incensed.
They have clashed spears to drown
The noise of her tears;
They have whetted swords. Still
They cannot forget.
Her faint noise in the wood
Destroys all,
A soul-tormenting treason
Threatening revolt.
They beat with clamorous gongs
And din with hammers
To stun so light a noise.
They fear if once
Pity were heard aloud
In the strong city,
Topless towers would fall,
Engines stop.
Horribly alarmed, they have levied
Their war and armed
All natural things against her.
From horns and stings,
Mandibles, claws and paws
And the human hand,
From suns and ice, like a deer
Pity runs;
Lest, if she wept in peace,
While they slept,
(So they believe) the slow-
Descending stream
Would grow to a pool, spread,
Widen and overflow
And creep forth from the wood,
Grown strong and deep.
And they would wake at morning
And find a lake
Lapping against their walls,
Mining, sapping,
Patiently eating away
The strong foundations
Of the towers of pain, rising
An inch in an hour;
Till the compassionate water
Would ripple and plash
Far overhead, and the Powers
Lay drowned and dead
Below, sharing the dark
With shark and squid
And the forgotten shapes
Of rotting wheels.
Therefore they woke destruction
Against her and invoked
The Needs of the Sum of Things
And the Coming Race
And the Claims of Order—oh all
The holiest names
Known in our hearts. They even
Included her own.
THE LAST OF THE WINE
You think if we sigh
, drinking the last decanter,
We’re sensual topers, and thence you are ready to prose
And read your lecture. Need you? Why should you banter
Or badger us? Better imagine it thus; suppose
A man to have come from Atlantis eastward sailing—
Lemuria has fallen in the fury of a tidal wave,
The cities are drowned, the pitiless all-prevailing
Inhuman sea is Numinor’s salt grave.
To Europe he comes from Lemuria, saved from the wreck
Of the gilded, loftily builded, countless fleet
With the violet sails. A phial hangs from his neck,
Holding the last of a golden cordial, subtle and sweet.
Unnamed is Europe, untamed; wet desolation
Of unwelcoming woods, the elk, the mammoth and the bear,
The fen and the forest. Men of a barbarous nation
On the sand in a circle standing await him there.
Horribly ridged are their foreheads. Weapons of bone,
Unhandy and blunt, they brandish in their clumsy grips.
Their females set up a screaming, their bagpipes drone;
They gaze and mumble. He raises the flask to his lips.
It brings to his mind the strings, the flutes, the tabors,
How he drank with poets at the banquet, robed and crowned,
He recalls the pillared halls carved with the labours
Of curious masters, (Lemuria’s cities lie drowned),
The festal nights; the jest that flashed for a second
Light as a bubble, bright with a thousand years
Of nurture; the honour and virtue, the grace unreckoned
That sat like a robe on the Atlantean peers.
It has made him remember ladies, proud glances,
Fearless and peerless beauty, flower-like hair,
Ruses and mockery, the music of grave dances
(Where musicians played, huge fishes goggle and stare).
He sighs, like us; then rises and turns to meet
Those naked men. Will they make him their spoil and prey
Or salute him as god and brutally fawn at his feet?
And which would be worse? He pitches the phial away.
AS ONE OLDSTER TO ANOTHER
Well, yes the old bones ache. There were easier
Beds thirty years back. Sleep, then importunate,
Now with reserve doles out her favours;
Food disagrees; there are draughts in houses.
Headlong, the down night train rushes on with us,
Screams through the stations . . . how many more? Is it
Time soon to think of taking down one’s
Case from the rack? Are we nearly there now?
Yet neither loss of friends, nor an emptying
Future, nor England tamed and the ruin of